I didn't even know what this ball of material was when I bought it at a little store in Hampden. I just knew I loved it. I think it may be the remnants of an old rag rug. It sits somewhere between raw material and a beautiful object in and of itself. I like that it quivers with potential, yet I have no idea what to do with it. For now, it is a sculpture that sits on a book on a table.
December 22, 2011
Stomping Ground
Sitting and sipping under the warm ripples of the fleshy mural
at the Club Charles in Baltimore, for the first time in a long time.
Old Clipper Mill
Beautiful and broken Civil War era mill in Baltimore.
A shell of a once brimming structure where
workers earned a living melting iron and building machines.
December 14, 2011
Naughty and Nice
photo cred: The Kinard
One of the best lines of the night...
"If you go home with someone and they don't have books,
don't fuck them."
December 13, 2011
Last Stop
In the flurry of the end of the semester, I forgot to post about my last stop on the East Austin Studio Tour. Visiting Caroline Wright's studio is always a pleasure. She is one of the most prolific makers I know, consistently pushing paint around on paper in a way that feels completely untethered and free.
November 30, 2011
November 14, 2011
Big Heads
I love these monumental portraits by Monica Alfonso, my studiomate and friend. Well, I'm currently subletting my half of the studio, but I like to call her my studiomate anyway. The big heads are still wrapped up from a recent exhibition. Monica isn't on the tour this year, and neither am I, which means we have more time to be tourists. I just got a lucky peek.
Must See!
Joey, is that you?
My friends, Adrian and Gayla, opened up a rad new shop on East 6th.
They represent lots of artists from lots of places.
You can find more on their websites,
one for gig posters and one for straight-up art.
November 13, 2011
The Mothership
An installation at Big Medium, the headquarters of E.A.S.T.
Write a wish, take a wish.
The wish I pulled off the line:
"Do meaningful creative work, and believe in myself."
November 12, 2011
Lakes Were Rivers
(Re)collection, pairings of
a collection with new views. Lakes Were Rivers, an Austin-based collective of photographers, pairs a work from
each of its members with a photograph from the Harry S. Ransom Center’s
collection in an exhibition that kicked off E.A.S.T. at 1319 Rosewood Friday night. Most of the duets share an evident
connection. Makes me think of
Lawrence Weschler’s obsession with convergences.
I wonder if
the artists made new works based on the photograph from the Ransom Center of
their choosing or if they selected a work from the collection to hang with an
already realized photograph. I’m
guessing the latter. Either way,
it’s a really interesting show that questions “everything that rises”.
Much thanks to Jessica for the installation shots!
November 1, 2011
Alexandria or Siena?
Correction: My brother explained to me that there are two St. Catherines. One a legend, the other an early feminist and scholar in the church. The painting at the Blanton that I have been visiting all this time is St. Catherine of Alexandria, the legend. This is a painting of St. Catherine of Siena, the feminist, by Sano di Pietro, and the Catherine in mind when naming my sweet niece. Thank you for the saintly lesson, Steve!
St. Catherine
Every time I visit the Blanton I stop by to see this little gem in the European galleries. Painted by Bartholomaeus Spranger, a Flemish painter of the 16th century, it depicts St. Catherine victoriously holding down her oppressor with one foot, book in hand, as she gazes upward towards crown-bearing cherubs, or Heaven. My brother tells me she was a scholar and a strong female figure in Catholic tradition, and also an inspiration in the naming of my niece. Today, on All Saints Day, my darling niece turns three. Happy birthday, sweet Catherine!
October 30, 2011
El Anatsui @ the Blanton
Beautiful clinky clanky drapery!
Wish I had more time to write.
Ah, winter break, how I dream of thee.
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